This course examines Korean cinema as a window into Korean culture, identity, and society through the lens of specific themes such as motherhood and fatherhood, feminism, posthumanism, social critique, and cross-cultural remakes with Indonesian films. By analyzing selected films that explore these issues, participants will gain critical insights into how Korean filmmakers represent gender roles, family relationships, technological transformations, and broader social dynamics in contemporary Korean society. The course emphasizes how cinema functions not only as entertainment but also as a cultural text that reflects social values, historical experiences, and ongoing debates within Korean society.

Throughout the course, participants will engage with a range of Korean films from different genres and periods, examining how filmmakers construct narratives and characters to address complex topics such as parental sacrifice, generational conflict, gender inequality, ethical questions surrounding technology, and critiques of social structures. Particular attention will be given to how cinematic techniquessuch as storytelling, characterization, visual imagery, and emotional expression, shape audiences’ understanding of these themes.

In addition, the course introduces a comparative perspective by exploring film remakes between Korea and Indonesia. Through this comparison, participants will reflect on how cultural values, social norms, and audience expectations influence the adaptation of stories across national contexts. This cross-cultural approach allows participants to see how similar narratives may be interpreted differently depending on cultural background and societal conditions.

Participants will take part in guided film viewings, short lectures, group discussions, and reflective activities designed to develop analytical and interpretive skills. By the end of the course, participants will be able to critically discuss how Korean films portray issues related to gender, family, society, and technology, while also appreciating the cultural meanings embedded within these cinematic narratives.

Open to the general public interested in Korea, film, or cultural studies, the course requires no prior knowledge of Korean language or cinema. The class is designed to be accessible while still offering meaningful insights into Korean culture through the powerful medium of film.